Robert Reich on Writing

On February 23rd, we had the pleasure of hosting Professor Robert Reich for our second annual Art of Writing Lecture. The event began with Professor Reich filming his daily Resistance Report on Facebook live, which, in a deviation from the Report's usual monologue format, included him taking numerous questions about the current political climate from the 150 undergraduate students in the audience. After the Report, however, Professor Reich switched gears a little, chatting with Art of Writing Director Ramona Naddaff about his practices as a writer.

The former Secretary of Labor under President Bill Clinton, a prolific political commentator, and professor of over 700 students in his popular Wealth and Poverty course alone at the UC Berkeley Goldman School of Public Policy, Reich is also the author of fourteen books and several plays, and has been a contributing editor at periodicals such as The New RepublicThe AtlanticThe New York TimesThe Wall Street Journal, The American Prospect (which he co-founded), and the Harvard Business Review. Speaking with Prof. Naddaff, he shared his reflections on everything from the importance of returning to first drafts, his reluctant embrace of social media, and the passion (and rage) that fuels his deeply felt need to write. You can watch the whole conversation here: 

‘The Annex’: Adventures in Creative Nonfiction

As part of UC Berkeley’s new Art of Writing curriculum, English professor Scott Saul and PhD candidate Ismail Muhammad  taught a creative nonfiction workshop on the theme of Covering Culture.

For every assignment, the class hosted a visitor whose work provided a source of inspiration; the visitors were Lili Loofbourow (The Week), film historian David Thomson, Hua Hsu (The New Yorker), art journalist Sarah Thornton, and Sarah Burke (then managing editor and writer for the East Bay Express).

Due to the ongoing renovation of Wheeler Hall, the English Department’s customary home, the seminar met in a room surrounded by cubicle-like offices in the somewhat faceless, low-slung Building C of Hearst Field Annex  —  thus the name of the site:

Jeff Chang & Hua Hsu in Conversation

The latest episode of the Townsend Center for the Humanities' books-and-arts podcast Chapter & Verse features critics Jeff Chang and Hua Hsu in conversation about music, race, and popular culture. The conversation was part of the Art of Cultural Criticism Lecture Series created by Art of Writing Professor Scott Saul in tandem with his Fall 2016 course Covering Culture. 

From Chapter & Verse:

Jeff Chang and Hua Hsu are among the most lucid and sane guides to the divided world we live in — the world that encompasses both Black Lives Matter and Donald Trump, Beyoncé and Steve Bannon. 

How is it that, as American culture becomes increasingly 'colorized,' to use Chang's word, its politics get increasingly polarized in terms of black and white? What are the roots of this divide? How does it tie into other patterns of inequality? Where do Asian-Americans fit in? And how might a Berkeley education — both Hsu and Chang are Cal alums — set up a writer to see the faultlines of this terrain? 

These are the questions explored in this C&V episode, which comes from a recording of an event held in October 2016 on the Berkeley campus.

Jeff Chang is the author of several acclaimed books including Can’t Stop, Won’t Stop: A History of the Hip-Hop Generation, a synthetic history of the rise of hip hop; Who We Be: A Cultural History of Post-Civil Rights America, which traces how artists of color created new stories of national belonging and new forms of cultural protest; and We Gon’ Be Alright: Notes on Race and Resegregation, a primer on our current political crisis. He is currently executive director of Stanford's Institute for the Diversity in the Arts.  

Hua Hsu has written, capaciously, on music, politics, sports, and books for GrantlandSlate, and most recently The New Yorker, where he serves as a contributing writer. An associate professor of English at Vassar College and a board member of the Asian American Writers’ Workshop, Hsu is also the author of A Floating Chinaman: Fantasy and Failure Across the Pacifica study of the rivalries that beset those who, during the interwar years, hoped to speak for China in the West. 






Come Write In sessions are back at UC Berkeley. Have you ever thought about writing a novel, but just didn’t think you had the time? Well, a small group of friends from the East Bay, dared themselves to finish their novels in 30 days back in 1999, and since then, this humble non-profit, NaNoWriMo, National Novel Writing Month, has become a global event of epic proportions! 50,000 words in 30 days! Quantity over quality is the name of the game! Turn off your inner editor, let the words flow, and win!

The amazing folks over at created this worldwide community of writers and a support system of libraries, bookstores, and other neighborhood spaces all over the globe called Come Write In, where “Wrimos” gather and forge ahead towards their word count goals during their quest to win this incredible book-in-a-month contest. With all the collective, creative, positive energy of over 300,000+ participants, all writing together, winning is possible! So, finish that paper, mid-term or lab report and come join us! Everyone that attended our sessions last year reached their word-count goals!

·      Sign up at and join the East Bay Home Region to see the calendar of events and further details for the UC Berkeley Doe Library location.

·      Come Write In at Doe Library – Room 303 Doe Library

·      Sundays, November 6, 13, 2016, 1 - 4pm

·      Sunday, November 20, 2016, 1 - 3pm

·      Wednesday, November 30, 2016, 6-9pm

The Library attempts to offer programs in accessible, barrier-free settings. If you think you may require disability-related accommodations, please contact Shannon Monroe at least two weeks prior to the event at